CD: Omar Puente: Best Foot Forward
OP Records Sept 2016
Cuban jazz violinist Omar presents his follow up album to 'From There to Here'. He is joined by friends and fuses musical experiences from Brazil, Africa, the Caribbean and Europe, with a deep understanding of jazz. Read review below.
£15.00 inc p&p
| Check Basket |
Review of CD: Omar Puente: Best Foot Forward
Omar the Maestro at his best
On arriving in the UK in 1997, the virtuoso violinist Omar Puente had already been leader of the Cuban National Symphony Orchestra as well as touring with artists from the Buena Vista stable. This typically Cuban approach of exploring all musical avenues, coupled with a phenomenal technique, resulted in Omar establishing himself as one of Cuba’s most distinguished artists.
His new album ‘Best Foot Forward’ continues in the spirit of his 2009 debut ‘From There to Here’, drawing on musical influences from around the globe whilst rooting itself in Omar’s Afro-Cuban heritage. The project fuses musical experiences from Brazil, Africa, the Caribbean and Europe, with a deep understanding of jazz. This rich mix produces an album of complex and infectious rhythms and original melodies all played brilliantly by Omar and his all star band.
Tracks such as ‘Danza de los Spiritus’ and ‘En la Noche’ give Omar the chance to weave his Cuban spell whilst ‘Samba Para Dos’, ‘Morning in Morocco’ and ‘Debbie’s One Drop’ bring flavours and harmonies from Brazil, the Middle East and Jamaica respectively. Solidly backed by a superb band and often featuring the rootsy Bata drums of Afro-Cuba, the album also includes some fine ensemble playing by, amongst others, Denys Baptiste on saxophone and Santiago’s trumpet master Victor Hechavarria.
Dedicated to his wife Debbie Purdy who died in 2014, this album is the result of 20 years providing musical joy to everyone who has had the pleasure of hearing Omar play or sharing a stage with him. We are exceptionally lucky that he has chosen the UK as his home, and equally lucky to have this album to treasure.
Dave Willetts
This review appeared in CubaSi magazine Autumn 2016